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ed Neil Bechervaise
Constructing Shakespeare on Screen provides a comprehensive treatment of the filmed versions of many of Shakespeare's plays, treating the films as film rather than the staged play on which they were based. The plays treated are Hamlet Macbeth Julius Caesar Romeo and Juliet Richard III Henry V Twelfth Night King Lear Othello Taming of the Shrew Much Ado about Nothing A Midsummer Nights Dream Filmed interpretations of the plays are compared with each other in the light of Shakespeare's intention to create popular entertainment, with information about the politics, events and social conditions of the time. The plays are treated under seven headings:
Each chapter includes student activities and information on film terminology to suit both teachers experienced in film study and those less so.
click here to return to price list click here for sample pages of Constructing Shakespeare on Screen Contents of Constructing Shakespeare on Screen The Contributors Foreword to Constructing Shakespeare on Screen A Note to Readers Section 1: Audience and Performance Chapter 1 Reading Film as Text Chapter 2 Macbeth Section 2: Narration Chapter 3 Once Upon a Time Chapter 4 Julius Caesar Chapter 5 Twelfth Night Section 3: Spatial Relationships Chapter 6 Where and When? Chapter 7 The Taming of the Shrew Chapter 8 Othello Section 4: Sequentiality Chapter 9 ... And Then, And Then ... Chapter 10 Richard III Chapter 11 King Lear Section 5: Closure Chapter 12 But What Happened in the End? Chapter 13 Hamlet Chapter 14 Romeo and Juliet Section 6: Shakespeare in Question Chapter 15 The Canon in Context Chapter 16 Much Ado About Nothing Chapter 17 A Midsummer Night's Dream Chapter 18 Henry V Section 7: Chronology, Play-Text Dates, References A: Chronology B: Play-Text Dates References
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